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Why Reading Egyptian Hieroglyphics Is Easier Than You Think

Why Reading Egyptian Hieroglyphics Is Easier Than You Think | Open Culture
Why Reading Egyptian Hieroglyphics Is Easier Than You Think

We’ve fea­tured Egyp­tol­o­gist Ilona Regul­s­ki here on Open Cul­ture a few times before.Once, she explained how to read ancient Egypt­ian hiero­glyphs; anoth­er time, she told us what the Roset­ta Stone actu­al­ly says. It was, per­haps, inevitable that she would cross paths with Rob Watts, cre­ator of the YouTube chan­nel Rob­Words, whose videos we often post. When he made the jour­ney to Berlin’s Neues Muse­um, and specif­i­cal­ly to its Egypt­ian Muse­um, Regul­s­ki was the expert he sought out to tell him — and us — all about how hiero­glyphs, lit­er­al­ly “sacred carv­ings,” actu­al­ly make words.

Faced with a stone chis­eled full of hiero­glyphs, where do we start? Ancient Egypt­ian texts are all read from top to bot­tom, but some go left to right, and oth­ers right to left. To know which way, Regul­s­ki says, we must first look for sym­bols with a clear front and back, such as those in human or ani­mal shapes.

Some names are writ­ten in blocks, them­selves read

Some names are writ­ten in blocks, them­selves read from top to bot­tom — unless they con­tain a sign refer­ring to a god, which, of course, gets cus­tom­ar­i­ly ele­vat­ed to the top. But even if we under­stand the exact order in which we should read a giv­en string of hiero­glyphs, the ques­tion remains: how do we actu­al­ly do that read­ing?

Though many hiero­glyphs do appear to be fig­u­ra­tive, with their rec­og­niz­able forms of birds, bugs, arms, legs, and such, only some­times are they meant to rep­re­sent what they look like. Regul­s­ki explains that some of these signs are let­ters, and can be pro­nounced in much the same way as our own alpha­bet.What looks like a mouth sounds like an r; a high­ly abstract­ed bread loaf, t; a horned viper, ph; an owl, m.There is, of course, more to it. Signs can be com­bined not just to indi­cate sound, but also to dis­am­biguate mean­ing. As you may have noticed, hiero­glyph­ic writ­ing is also what Watts calls a “vow­el-free zone.” Exact­ly which of those sounds go where is, like cer­tain oth­er unre­solved aspects of hiero­glyphs, a mat­ter of ongo­ing expert inquiry. But Egyp­tol­o­gists, as see­ing Regul­s­ki in action reminds us, are a ded­i­cat­ed bunch.

How to Read Ancient Egypt­ian Hiero­glyphs: A British Muse­um Cura­tor Explains

How to Carve Hiero­glyphs Just Like the Ancient Egyp­tians Did

You Could Soon Be Able to Text with 2,000 Ancient Egypt­ian Hiero­glyphs

An Ani­mat­ed Intro­duc­tion to the Roset­ta Stone,

An Ani­mat­ed Intro­duc­tion to the Roset­ta Stone, and How It Unlocked Our Under­stand­ing of Egypt­ian Hiero­glyphs

What the Roset­ta Stone Actu­al­ly Says

What Ancient Egypt­ian Sound­ed Like & How We Know It

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

Source: www.openculture.com

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